Traditional Jew's Harp of the Vietnamese mountain people Hmong. The sound of this precious Vargan is voluminous and its haptics are just great. The medium-sized frame is precisely worked and the medium-hard, well balanced tongue is sharpened. The Masko Viking is easy to play and gets along with any playing technique. A magnificent jew's harp with a really sonorous, powerful sound.
Kuricorder Quartet is a quite brilliant, rather eccentric multi-instrumental group from Japan. Never in the history of music has the humble recorder, (kuri by the way is the Japanese for ЃechestnutЃf, the corder bit comes from recorder) sounded this fresh and exciting. And never would you have thought the recorder, from the small soprano, to the giant great bass, via alto and tenor, this capable of playing the most innovative of music.
Exceptionally decorated for an instrument of this type, this Jew's harp may date back to the 16th century. Made of a wrought iron frame, it has an iron tongue fixed to the frame by a mortise. The Jew's harp is part of the family of plucked idiophones: idiophone designating an instrument where the instrument as a whole produces the sound, without the use of strings, membranes, or being blown into. The decoration, made by etching, is made up of tendrils and stylized plants. It also shows the inscription: IUSTINVS LIEVAX AVDENARDE - VAST INT HAND VER VAN TAND ("Safe in the hand, far from the teeth").
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Lely himself had trained in the Dutch city of Haarlem. Images showing half- or three-quarter-length figures playing musical instruments became popular with the Netherlandish artists who had visited Italy and had been influenced by similar paintings by the celebrated Michelangelo Merisi Caravaggio (1571-1610) and his followers. They included the Utrecht artist Dirck van Baburen (c.1595-1624), whose own Young Man Playing a Jew's Harp, 1621 (Centraal Museum, Utrecht, reproduced in Buijsen and Grijp, p.130, fig.1) is one of the earliest Dutch examples. From the early 1620s onwards, starting in Utrecht, such works became increasingly widespread in the Netherlands and were produced, for instance, by the Haarlem painters Frans Hals and Judith Leyster (1609-60). The sitters were often shown in fanciful costumes that purported to be peasant dress.
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norwegian jew's harp